Michael lives in Ben tribute show

Jan 2019 Michael lives in Ben tribute show

SAID to be the UK’s ultimate Michael Jackson tribute star starts a UK tour in Bath on January 11.

From dancing along to the legendary pop videos as a child, to playing to a crowd of weeping fans the day after Michael Jackson died, Ben Bowman has dedicated his life to be the UK’s ultimate Michael Jackson tribute artist.

Ben, 33, who grew up on the Isle of Sheppey, Kent, quit college to pursue his dream and now travels the world paying homage to the King Of Pop in live show Michael Starring Ben.

The show is a celebration of Michael Jackson’s life and work as arguably one of the world’s most influential entertain­ers. Ahead of the tour, we spoke to Ben about his lifelong love of the legendary performer, and how he’s proud to keep the legacy alive 10 years after the megastar’s death in 2009, shortly before he was due to open a 50-night residency with his This Is It show at London’s O2 Arena.

Your love for Michael Jack­son: how and when did it start?

“Me and my brother grew up with my mother’s vinyl collection and Michael Jackson was part of that. We especially caught on to him, and even started dressing up as him for fancy dress parties. I became one of those kids who learned all the dances from the videos.

“When it comes to the singing, I was around 16 or 17 and my friend asked: ‘How does Michael Jackson’s new song go?’. It was You Rock My World, I sang a couple of lines and she said I really sounded like him.”

How long have you performed as Michael Jackson?

“Fourteen years, I literally started straight out of school. I was at college, studying drama, and they told me I could earn £77 a night in the West End. So, I quit the course and said: ‘I can earn more than that as a Michael Jackson impersonator’ and it went from there, I started book­ing venues.

“Even when I started, I thought it was just something fun that I could do on the side of working. I never imagined I would be a full-time Michael Jackson imperson­ator – it’s not like it’s something that comes up at the job centre!”

After 14 years, you must have had a lot of special moments. Can you share a few?

“There have been millions! So many amazing, funny things have happened on the road. The first time we played to 20,000 people at a festival, I stepped out on stage and thought to myself ‘this has got to be close to what Michael experienced’. It was the most people I had seen in one place in my life, at that time.

“Over the years, it’s become so rewarding, especially since Michael passed away. It’s rewarding to see what people take away from what we do. They don’t just come and see a show, they come up after and say: ‘I saw Michael live and that was fantastic, he would be happy at what you’re doing.’ It’s wonderful people feel that about it, as that’s what we feel about it.

“It’s a continuation of the legacy. What I love most is that it intro­duces kids to Michael Jackson too; young people who weren’t even alive when he was alive. Kids who are not even four or five years old are huge fans, from their parents’ influence. We get kids there in full costume, danc­ing and singing along to the Jackson 5 tracks. ‘How is that, it’s from 1972?’. It’s insane.

“His legacy will never disappear and hopefully we help keep that alive.”

It’s clear you’re as much of a fan as the people who come to see your shows. Is that an important part of doing the job?

“I love Michael Jackson as much now as when I was five. I listen to his music every week still, away from performing. I can’t imagine my life any other way. Everyone in the team are Michael Jackson fans: we do it because we love him.

“One quote I always remember someone saying to me was: ‘I can tell that everything done in the show was done for the right reasons’. It’s amazing that some­one took that from it, that they have clicked into what I was doing.”

Michael Jackson was known for his image, almost as much as his music and showman­ship. How do you prepare for a performance?

“After 14 years, I’m a very adept actor in the sense that people expect me to go off to a dark room to ‘become’ Michael Jack­son. But it’s not like that. My make-up takes about 45 minutes; it used to be two hours, but I have it down to a fine art now. I glue my hair on. I used my own hair until it started to get too thin, so I had it chopped off and now use a wig. I get into costume, then warm up my body and voice, as it’s a real work-out.

“Overall, now, it’s two hours, but I can be done in an hour and a half.

“Then I step out and go for it. It’s wonderful. People ask: ‘don’t you get bored?’ Our set has been the same for four-and-a-half years, but every audience, every venue is different, and an adap­tation. There are definitely worse jobs in the world.”

What’s your favourite Michael Jackson era/image?

“The first conscious image I remember as a child is the Bad era – and it’s definitely my favourite. He had a cool, tough edge about him, and I’ve always loved that side.

“A few years ago, they released the Bad tour on DVD for the first time. I had learned from seeing him at an older age, from the Dangerous and History tours, and that stuff is great, but he was in his mid-to-late 30s. But when I saw Bad, it was ‘Back to the drawing board’ – he was at his absolute peak in those concerts. Seeing that for the first time was: ‘Wow’.

“Jackson was a massive per­fectionist with his live work, he hated releasing it. He held off releasing Dangerous until about 2002-3 and that tour happened in 1992, and Bad was even later, after he died, and was released for an anniversary of the album: seeing that rekindled, that feeling of how I felt about him in that era, how amazing he was.

“Bad was also a crossover era as he wrote most of the songs on that album. Since he passed, they have found notes and note­books from that time, with things like ‘I will no longer be known as Michael Jackson of the Jackson 5’. He created that aura to make himself the big­gest star on the planet. He was a terrific businessman. He was a self-manufactured pop star and got the public to play to his tune. And the Bad era was the when that started to happen – and he was creating the terms like ‘King Of Pop’.

“When I started out, I had a lot of trouble trying to recreate the album versions of his songs. They’re studio works of art and you just can’t recreate that live. Seeing the live foot­age, I can study the voice in the raw and for me, the live singing on Bad is the best.”

How does it feel to think 10 years have passed since he died?

“Where has that time gone? I still remember hearing the news and having to go out the next night in a bar to perform. It was a big bar, and there were about 700 people crammed in, and people outside. It was insane. I’ll never forget that night and the turn out – it would usually have been about 400 people and was almost doubled. People were crying, it was a very emotional night.

Do you have anything special planned for the anniversary?

“We have spoken about having a bit of a change in the show, to mark the anniversary, and we’re going to start exercising a couple of new songs to expand the set slightly. I’m also really looking forward to the Indigo O2 show in London, which is almost on the anniversary of his death, just a few days before. It will be such an honour and a real career highlight to be under the dome where he was due to play the This Is It concerts. How relevant and significant that is going to be.”

Michael Jackson had amaz­ing fans. How do they react to your shows?

“The fans are so passionate. The screamers and criers are my favourites. I absolutely love that we incite that reaction; it means we are doing something right. It’s insane, incredible, that people are drawn into it for those two hours that we perform, that they believe in what we’re doing.

“It’s quite an emotional experi­ence for me too, as a Michael Jackson fan, to watch other fans react like that, knowing the way they feel about him is the same way I do. It’s very intense. It’s a feeling I wouldn’t swap for anything.


11 January – Bath Forum
12 January – St David’s Hall, Cardiff
19 Jan Billingham – Forum Theatre
16 February – Huddersfield Town Hall
22 Feb Malvern – Forum Theatre
28 Feb Huddersfield – Town Hall
8 March – Bridgewater Hall, Manchester
22 March – Meres Leisure Centre, Grantham
23 March – O2 Guildhall, Southampton
28 March – Floral Pavilion Theatre, Merseyside
11 April – Royal Concert Hall Notts, Nottingham
13 April – Pyramid and Parr Hall, Warrington
21 June – Indigo At The O2, Greenwich
28 June – Doncaster Dome
29 June Dorking Halls